Marisa Portolese was born in Montreal, Quebec, where she currently lives and works. She is an Associate Professor in the Photography Program in the Faculty of Fine Arts, at Concordia University. Her practice includes photography and video, as well as curatorial work for several institutions.
Portraiture, representations of women, narrative, autobiography and the figure in nature, are major and recurrent subjects in her practice. She often produces large-scale color photographs, rich in painterly references that concentrate on elucidating facets of human experiences in relation to psychological and physical environments, relating to larger themes concerning identity and spectatorship. She attempts to weave together gesture, affect, and the nuances of the gaze, to create an immersive and emotional landscape for the viewer.
Upon graduating with an MFA degree from Concordia University in 2001, she has produced many photographic projects, which have received critical acclaim: Belle de Jour (2002), The Recognitions (2004-05), Breathless (2007), The Dandy Collection (2005-ongoing), Imagined Paradise (2010) Antonia‚Äôs Garden (2011), Women of the Landscape (2013), and¬†Belle de Jour II (2014), Belle de Jour III (2016). She has travelled and exhibited widely in Canada, Europe and the United States. In 2007, she was invited to participate in the prestigious international biennale of contemporary photography: Le Mois de la Photo √† Montr√©al organized by Marie Fraser. She also has two published monographs: Un Chevreuil √† la Fen√™tre de ma Chambre (2003) and Antonia‚Äôs Garden (2012).
Alongside her exhibition record, critics have written about her work in various journals, magazines, newspapers, art books and periodicals. She is the recipient of several awards and numerous grants from the Canada and Qu√©bec Arts Councils, as well as the DuMaurier Arts Foundation. Her work is part of private and public collections.
In 2017 she will be the Artist in Residence at the McCord Museum in Montreal. Her work during this residency will culminate as a solo show and catalogue publication at the museum in 2018.
Carolina from the series – Belle de Jour III: Dialogues with Notman’s Portraits of Women, c-print, 40 x 50 inches, 2016